3D studies
Design-driven frames, surfaces, and motion experiments.
About me
Built through image, rhythm, and evolving visual systems.
I am Davit Gogokhia, a creative director, filmmaker, editor, and visual effects artist whose path started in web design and expanded into television, music videos, documentary production, live performance capture, and technology storytelling.
The through-line has always been the same: make visuals that hold atmosphere, rhythm, and clarity in the same frame.
Jvari, Georgia
New York
Washington, D.C.
Direction / Edit / VFX / 3D
VFX language
Compositing, motion design, and image manipulation.
Live energy
Performance-driven shooting that keeps atmosphere intact.
Biography
A career shaped by crossing mediums, not staying inside one lane.
The background started in design and technology, then expanded into television, filmmaking, live performance, and post-production. That mix still defines how I build images now.
Early foundation
I was born in Jvari, Georgia, and spent part of my childhood in Moscow before returning to Georgia with my family. I studied informatics at Georgian Technical University and graduated in 2008.
My professional start was in web design, where I learned to shape visual systems and translate them into functioning digital experiences. That early overlap between aesthetics and structure later became a core part of my filmmaking process.
Television in Georgia
After two years in web design, I moved into television and production. I worked across entertainment and news programming, comedy productions, promotional campaigns, music videos, documentaries, live performances, and cultural events.
That period gave me a hands-on foundation in directing, cinematography, editing, motion graphics, and visual effects, while also teaching me how to develop ideas quickly and collaborate across crews.
Music as a constant
Music has stayed central throughout my career. I work directly with artists on music videos, single releases, visualizers, promotional campaigns, and performance content, adjusting my role from concept development to shooting, editing, and VFX depending on what the project needs.
Experience
The path kept widening, but the visual instinct stayed consistent.
Each chapter added a new production environment and a new level of technical fluency, without losing the original focus on mood, pacing, and communication.
Web design to visual systems
Learning layout, hierarchy, visual logic, and how design decisions shape user experience.
Broadcast and production in Georgia
Moving from design into television, field production, editing, graphics, and deadline-driven storytelling.
Artist collaborations and music visuals
Developing a more experimental visual language through musicians, performance, rhythm, and post-production.
United States: events, journalism, documentary
Continuing across New York and Washington with event films, branded content, nonfiction, and cultural stories.
Theater capture and creative technology
Expanding into multi-camera stage work, AI and cybersecurity content, 3D design, and generative image-making.
Focus
The work moves between cinematic feeling and clear communication.
I am most interested in projects where storytelling, music, performance, technology, and image-making can strengthen each other instead of living in separate boxes.
Music and artist visuals
Music videos, singles, visualizers, release campaigns, live edits, and performance pieces.
Broadcast and nonfiction
News-adjacent work, documentary storytelling, cultural coverage, events, and interview-led pieces.
Theater and stage capture
Multi-camera filming, trailers, and edited recordings that preserve movement and stage design on screen.
Creative tech and education
AI, cybersecurity, cloud, career development, and emerging technology content with stronger visual craft.
Creative direction
Cinematography
Editing
Motion graphics
Visual effects
3D design
Compositing
Generative tools
Creative coding
Audio-reactive visuals
Current practice
What I bring into a project now.
Today the work is less about fitting one job title and more about understanding what the piece needs, then building the right visual system around it. Sometimes that means direction and cinematography. Sometimes it means shaping the final result through editing, VFX, motion, or 3D.
- Concept development and visual treatment building
- Production planning, directing, and cinematography
- Editing, compositing, motion graphics, and finishing
- 3D experiments, generative workflows, and creative tech integration
Full resume and detailed credits available on request.
Direction
Finding the visual language, the pacing, and the emotional center of the piece.
Shooting
From live performance to documentary coverage, with an eye for movement and atmosphere.
Post
Editing, VFX, compositing, and motion design that shape the final tone of the work.
Systems
Design thinking, digital workflows, and creative technology that keep complex projects coherent.